Peshastin · Brand Colour · Recommended Additions

The colours this
property does not have.

327 readings say what exists. These are the colours the system still needs and cannot supply from any object on site — each one derived from the founder anchors by a stated method, checked against every measured reading, and marked proposed so it can never be mistaken for something owned.

5 core recommendations
2 supporting variants
≥6 ΔE00 from every measured reading
0 paint codes invented
Derived from the founder anchors — all measured
#95312F
burnt amber
staircase tapestry
#814028
umbrella favourite’s twin
Pendleton pillow · ΔE 0.7
#3A5143
Rain Forest wool
“inseparable”
#D7A253
mustard wall
“LOVE”
#693817
the brown that blends
U100 piano

The umbrella renders the founder chose both point here: his Burnt Umber pick sits ΔE00 0.7 from the Pendleton pillow — one of his own 53 — and his Cherry Red pick beside the staircase tapestry red. The muted end of the lever, both times.

Core five

What to add first.

proposed · not measured

Gallery Cream

light ground · core
undertone tintΔE 7.4 to nearest measured

The amber–timber undertone (h 66°) lifted to L* 85 and cut to chroma 7 — a tint of the anchors, not a stark white.

#DFD2C8 · CIELAB 85 / 7 / 66° · OKLCh 0.87 / 0.020 / 60°
nearest measured: #CACBCB (Instr - DW Drumkit)
Fills
The property's largest measured gap: no room averages above L* 50, and on camera that reads as one continuous brown.
Anchors
#95312F#693817
Lives in
wallslinen & beddingweb + print groundgallery walls
Source it
A warm gallery white with red-yellow undertone — the warm-white family of a heritage paint range (Farrow & Ball's warm whites are the reference family). Undyed or lightly bleached wool, linen, cotton. Nothing optically brightened — OBA whites go cyan on camera.
Contrast
1.0:1 on Gallery Cream · 10.4:1 on Tobacco Umber
proposed · not measured

Tobacco Umber

house dark · core
warmed blackΔE 6.0 to nearest measured

Black warmed toward the anchors — hue held between wood brown and mustard (h 76°), floored at L* 14.5 so grain still reads. Never flat #000.

#2E2313 · CIELAB 14 / 13 / 76° · OKLCh 0.26 / 0.032 / 76°
nearest measured: #423426 (Log Cabin Hallway Triangle Tapestry)
Fills
A deliberate brand dark: the measured near-blacks belong to instruments, not to the system.
Anchors
#693817#D7A253
Lives in
type & wordmarkmetalworkframesleatherdark props
Source it
Blackened steel, aged bronze, dark waxed leather. In paint: an off-black with a brown-olive undertone (the Lamp Black / Obsidian Green family of darks), never a pure black.
Contrast
10.4:1 on Gallery Cream · 1.0:1 on Tobacco Umber
proposed · not measured

Console Slate

cool counterweight · core
near complementΔE 6.0 to nearest measured

The near-complement of the warm mass (warm centre h≈57° → h 251°), mid lightness, chroma tempered to 24 — slate, not teal, not cobalt.

#5186A7 · CIELAB 54 / 24 / 251° · OKLCh 0.60 / 0.076 / 237°
nearest measured: #007FAD (Equip - Rockman)
Fills
Every measured blue is bolted into a rack. A cool accent has to be bought, and this is its value: the console faceplate blue in movable form.
Anchors
#95312F#D7A253
Lives in
one object per roomwardrobe pieceenamelwareweb links & CTAs
Source it
Powder-coated or anodised slate blue, vintage enamelware, indigo and denim textiles. Faceplate blue-grey territory — never a bright primary blue, never a large surface.
Contrast
2.7:1 on Gallery Cream · 3.9:1 on Tobacco Umber
proposed · not measured

Dusty Plum

wildcard · core
tone-matched complementΔE 13.9 to nearest measured

The muted complement of Rain Forest green (h 345°), tone-matched to the earths at L* 45 / C* 27 — the same deep-soft register as the building.

#8F5A77 · CIELAB 45 / 27 / 345° · OKLCh 0.54 / 0.080 / 346°
nearest measured: #685A61 (Lodge Rainbow Stairs)
Fills
The 'something else fun' seat: his own list already reaches here — the smoked plum mats and the dusty rose rug are its measured neighbours.
Anchors
#3A5143
Lives in
wardrobeart & floralsstagingsmall textiles
Source it
Plum-dyed wool or velvet, glazed ceramic, dried florals. Deep and greyed — nothing candy, nothing violet.
Contrast
3.6:1 on Gallery Cream · 2.9:1 on Tobacco Umber
proposed · not measured

Warm Stone

mid ground · core
tonal ladderΔE 6.0 to nearest measured

The cream's deeper cousin: same undertone, stepped down to L* 67 / C* 17 — the missing rung between the timber and the light.

#BD9F8A · CIELAB 68 / 17 / 63° · OKLCh 0.72 / 0.046 / 57°
nearest measured: #B09778 (Pendleton Common Brown Blanket)
Fills
A photographable mid surface that is neither dark timber nor near-white — the backdrop plane the rooms do not have.
Anchors
#693817#95312F
Lives in
sofas & headboardsrugs & curtainsbackdrop panelsweb panels
Source it
Oat, stone and greige textiles with a yellow-red undertone; limewash and clay plaster finishes. Test against timber — it must read warmer than grey.
Contrast
1.7:1 on Gallery Cream · 6.2:1 on Tobacco Umber
Supporting variants

The quiet twins.

proposed · not measured

Slate Quiet

cool counterweight · quiet twin · variant
chroma twinΔE 12.1 to nearest measured

Console Slate with its chroma halved (C* 12) at the same lightness — the muted end of the same lever, for cool that spreads.

#6E8494 · CIELAB 54 / 12 / 250° · OKLCh 0.60 / 0.035 / 240°
nearest measured: #007FAD (Equip - Rockman)
Fills
Where the loud slate is one object per room, this is the version a blanket or a curtain can carry without taking the room over.
Anchors
#95312F
Lives in
woven blanketcanvassecondary web surfaces
Source it
Blue-grey wool and canvas, unbleached denim, weathered painted wood.
Contrast
2.6:1 on Gallery Cream · 3.9:1 on Tobacco Umber
proposed · not measured

Clay Ember

warm lift · variant
tonal ladderΔE 6.2 to nearest measured

The amber anchor lifted to L* 58 at C* 27 — above the tapestry range, below the clipping band, beside skin without fighting it.

#B87C73 · CIELAB 58 / 26 / 34° · OKLCh 0.65 / 0.077 / 29°
nearest measured: #B9836C (Studio Bathroom Hallway Tapestry Burnt Orange)
Fills
A warm that photographs at close range: the measured ambers all sit darker, and the vivid ones clip.
Anchors
#95312F#814028
Lives in
bedding accentslampshadeswardrobepottery
Source it
Terracotta pottery, clay-dyed linen, rose-clay wool. Keep it off face-height walls — at wall scale it warms every face in the room.
Contrast
2.3:1 on Gallery Cream · 4.5:1 on Tobacco Umber

These are design targets, not measurements. Every other colour in this system is a reading off a real object; these seven are proposals, drawn with dashed borders everywhere they appear so the two can never blur. Before committing any of them at scale: a large physical drawdown or fabric swatch, viewed in the actual rooms across a day, and on camera under the shoot key.

No paint code here is invented. Sourcing lines name materials and real colour-range families; matching to a specific manufacturer chip is a decision to make with the physical fan deck in hand.