Peshastin · Brand Colour · Recommended Additions

The colours this
property does not have.

These are possible colour additions that do not exist on the property yet — each one worked out from colours that do, checked to make sure it is not just a near-repeat of something already here, and marked not on site yet so it can never be mistaken for something the property already has.

5 core recommendations

2 supporting variants

≥6 ΔE00 from every measured reading

0 paint codes invented

Worked out from these — all measured on the property

#95312F
burnt amber
staircase tapestry

#814028
umbrella favourite’s twin
Pendleton pillow · ΔE 0.7

#3A5143
Rain Forest wool
“inseparable”

#D7A253
mustard wall
“LOVE”

#693817
the brown that blends
U100 piano

The umbrella colour trials point at the same place: the Burnt Umber option sits ΔE00 0.7 from the Pendleton pillow above, and the Cherry Red option beside the staircase tapestry red. Both land on the muted end of the range rather than the vivid one.

not on site yet

Gallery Cream

light ground · core

undertone tintΔE 7.4 to nearest measured

The amber–timber undertone (h 66°) lifted to L* 85 and cut to chroma 7 — a tint of the anchors, not a stark white.

#DFD2C8 · CIELAB 85 / 7 / 66° · OKLCh 0.87 / 0.020 / 60°
nearest measured: #CACBCB (Instr - DW Drumkit)

Fills: The property's largest measured gap: no room averages above L* 50, and on camera that reads as one continuous brown.
Anchors: #95312F#693817
Lives in: wallslinen & beddingweb + print groundgallery walls
Source it: A warm gallery white with red-yellow undertone — the warm-white family of a heritage paint range (Farrow & Ball's warm whites are the reference family). Undyed or lightly bleached wool, linen, cotton. Nothing optically brightened — OBA whites go cyan on camera.
In the room: the lodge great room, sectional reupholstered
Contrast: 1.0:1 on Gallery Cream · 10.4:1 on Tobacco Umber

not on site yet

Tobacco Umber

house dark · core

warmed blackΔE 6.0 to nearest measured

Black warmed toward the anchors — hue held between wood brown and mustard (h 76°), floored at L* 14.5 so grain still reads. Never flat #000.

#2E2313 · CIELAB 14 / 13 / 76° · OKLCh 0.26 / 0.032 / 76°
nearest measured: #423426 (Log Cabin Hallway Triangle Tapestry)

Fills: A deliberate brand dark: the measured near-blacks belong to instruments, not to the system.
Anchors: #693817#D7A253
Lives in: type & wordmarkmetalworkframesleatherdark props
Source it: Blackened steel, aged bronze, dark waxed leather. In paint: an off-black with a brown-olive undertone (the Lamp Black / Obsidian Green family of darks), never a pure black.
In the room: the lodge great room, sectional reupholstered the entry, door and trim repainted
Contrast: 10.4:1 on Gallery Cream · 1.0:1 on Tobacco Umber

not on site yet

Console Slate

cool counterweight · core

near complementΔE 6.0 to nearest measured

The near-complement of the warm mass (warm centre h≈57° → h 251°), mid lightness, chroma tempered to 24 — slate, not teal, not cobalt.

#5186A7 · CIELAB 54 / 24 / 251° · OKLCh 0.60 / 0.076 / 237°
nearest measured: #007FAD (Equip - Rockman)

Fills: Every measured blue is bolted into a rack. A cool accent has to be bought, and this is its value: the console faceplate blue in movable form.
Anchors: #95312F#D7A253
Lives in: one object per roomwardrobe pieceenamelwareweb links & CTAs
Source it: Powder-coated or anodised slate blue, vintage enamelware, indigo and denim textiles. Faceplate blue-grey territory — never a bright primary blue, never a large surface.
In the room: the lodge great room, sectional reupholstered the control room, one lounge chair added
Contrast: 2.7:1 on Gallery Cream · 3.9:1 on Tobacco Umber

not on site yet

Dusty Plum

wildcard · core

tone-matched complementΔE 13.9 to nearest measured

The muted complement of Rain Forest green (h 345°), tone-matched to the earths at L* 45 / C* 27 — the same deep-soft register as the building.

#8F5A77 · CIELAB 45 / 27 / 345° · OKLCh 0.54 / 0.080 / 346°
nearest measured: #685A61 (Lodge Rainbow Stairs)

Fills: The 'something else fun' seat: his own list already reaches here — the smoked plum mats and the dusty rose rug are its measured neighbours.
Anchors: #3A5143
Lives in: wardrobeart & floralsstagingsmall textiles
Source it: Plum-dyed wool or velvet, glazed ceramic, dried florals. Deep and greyed — nothing candy, nothing violet.
In the room: the lodge great room, sectional reupholstered the control room, one lounge chair added
Contrast: 3.6:1 on Gallery Cream · 2.9:1 on Tobacco Umber

not on site yet

Warm Stone

mid ground · core

tonal ladderΔE 6.0 to nearest measured

The cream's deeper cousin: same undertone, stepped down to L* 67 / C* 17 — the missing rung between the timber and the light.

#BD9F8A · CIELAB 68 / 17 / 63° · OKLCh 0.72 / 0.046 / 57°
nearest measured: #B09778 (Pendleton Common Brown Blanket)

Fills: A photographable mid surface that is neither dark timber nor near-white — the backdrop plane the rooms do not have.
Anchors: #693817#95312F
Lives in: sofas & headboardsrugs & curtainsbackdrop panelsweb panels
Source it: Oat, stone and greige textiles with a yellow-red undertone; limewash and clay plaster finishes. Test against timber — it must read warmer than grey.
In the room: the lodge great room, sectional reupholstered
Contrast: 1.7:1 on Gallery Cream · 6.2:1 on Tobacco Umber

not on site yet

Slate Quiet

cool counterweight · quiet twin · variant

chroma twinΔE 12.1 to nearest measured

Console Slate with its chroma halved (C* 12) at the same lightness — the muted end of the same lever, for cool that spreads.

#6E8494 · CIELAB 54 / 12 / 250° · OKLCh 0.60 / 0.035 / 240°
nearest measured: #007FAD (Equip - Rockman)

Fills: Where the loud slate is one object per room, this is the version a blanket or a curtain can carry without taking the room over.
Anchors: #95312F
Lives in: woven blanketcanvassecondary web surfaces
Source it: Blue-grey wool and canvas, unbleached denim, weathered painted wood.
In the room: the lodge great room, sectional reupholstered
Contrast: 2.6:1 on Gallery Cream · 3.9:1 on Tobacco Umber

not on site yet

Clay Ember

warm lift · variant

tonal ladderΔE 6.2 to nearest measured

The amber anchor lifted to L* 58 at C* 27 — above the tapestry range, below the clipping band, beside skin without fighting it.

#B87C73 · CIELAB 58 / 26 / 34° · OKLCh 0.65 / 0.077 / 29°
nearest measured: #B9836C (Burnt Hero Orange Tapestry)

Fills: A warm that photographs at close range: the measured ambers all sit darker, and the vivid ones clip.
Anchors: #95312F#814028
Lives in: bedding accentslampshadeswardrobepottery
Source it: Terracotta pottery, clay-dyed linen, rose-clay wool. Keep it off face-height walls — at wall scale it warms every face in the room.
In the room: the lodge great room, sectional reupholstered the control room, one lounge chair added
Contrast: 2.3:1 on Gallery Cream · 4.5:1 on Tobacco Umber

These are colours to go and find, not colours we measured. Every other colour in this system is a reading off a real object; these seven are proposals, drawn with dashed borders everywhere they appear so the two can never blur. Before committing any of them at scale: a large physical drawdown or fabric swatch, viewed in the actual rooms across a day, and on camera under the shoot key.

About the room images. Generated. The room is photographed; the colour is placed into it. Good for imagining, not for matching — check a physical sample in the room before committing anything at scale.

No paint code here is invented. Sourcing lines name materials and real colour-range families; matching to a specific manufacturer chip is a decision to make with the physical fan deck in hand.

The colours this
property does not have.