Peshastin · Art Department · Combinations
What to move.
And what to go and find.
Every room already has colours it cannot change — the floor, the walls, the timber. This is what those grounds will take: which pieces already on the property can be carried in, and where nothing here will do, what colour to go looking for.
26 combinations
11 rooms
7 buy targets
Every colour measured, none invented
Part one is about moving what exists. Pick a room and its ground is already decided for you. What is left is the choosing: a piece for the wall and a piece for the room. The strip across the top of each set reads left to right in that order, so you are looking at the finished room as one palette rather than as four separate swatches. Band widths are roughly how much of the room each colour accounts for — the ground is most of what you see.
Part two is for the shop floor. Some things this property needs do not exist here yet. Each target names a colour that is already in the building, the object it came off, and what to look for — material, scale, and what to walk away from. Nothing proposed anywhere in this document is impossible: equipment bolted into a rack, built-in shelving, poured counters and floors were measured for their colour and are never offered as things to move. Heavy pieces are only offered for the room they already stand in. Interior textiles are never sent outdoors.
These are the gaps — things this property needs that it does not have. Each one names a colour already in the building and the object it came off, so there is something real to compare against in a shop. Match the family and the material; do not chase the number. Where a choice has to be made between a slightly-off colour in the right material and a perfect colour in the wrong one, take the material every time.
